Music, News

Elle Coves @ The Deaf Institute review and gallery – new indie-pop princess

0 321

Featured image and gallery: Gracie Hall


Haffway starts the evening – the Nashville-born singer/songwriter’s powerful voice
commands the entire room and despite being new to most in the Deaf Institute, the
audience hangs onto his every note. His charismatic presence engages the room as he chats
freely to the crowd.

‘I Don’t Need You Anymore’ taps into the well of melancholic songs produced by many
artists from the small towns of the Bible Belt and Midwest, painting a picture of a yearning
for something that isn’t good for him.

Elle Coves then springs onto stage in a 60s-inspired tan jumpsuit, mirroring the matching cowboy
hats and boots seen scattered in the crowd. Her song ‘Lost Cowboy’ has become a fan
favourite since its release in October, with fans screaming “Don’t take me for a love-drunk
home-run kid”. Elle’s songs are so personal to her but are relatable to her predominantly
younger female audience.

Even though the room is small, her voice fills every corner; powerful and emotional. With a
cover of Taylor Swift’s ‘Is it Over Now?’ and the final bridge of ‘Out of the Woods’ thrown in
for good measure, Coves cements herself as a new indie-pop princess and someone to keep
an eye on for 2024.

Playing an unreleased song called ‘Blonde on Blonde’, which a select few girls at the front
already knew most of the words too, Elle hints at future releases and excites everyone.
Ending the set with her first single ‘Before I Fall Apart’, the room jumps with her. The song
sounds like a coming-of-age cinematic soundtrack and encapsulates how this first headline
tour will feel for 19-year-old Elle herself.

About the author / 

Gracie Hall

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • “Well-slept characters aren’t as interesting” – The minds behind ‘Misper’ on Manchester Film Festival and the allure of writing people on the edge

    Feature Image: Press “It’s important to find your people. Don’t feel like you have to find this incredible producer or person who’s going to give you loads of money and change your life” says Lauerence Tratalos, one-half of the Northern duo responsible for Misper; a feature debut for director Harry Sheriff and script writer Tratalos….

  • Ignoring Izzy @ Fuel Café Bar review – a wonderfully bizarre set

    Featured image and gallery: Lucy Elson-Whittaker Fuel Café Bar in Withington hosts the fifth stop of six-piece band Ignoring Izzy’s ‘Motorway Musk’ tour, following the release of their debut single. The room buzzes with the promise of chaos, and possibly a few flying vegetables. Opening the night is Manchester-based Leucotome, a witch-folk trio blending soft,…

  • Rick Astley / Gabrielle @ Co-op Live review – Manchester will never give them up

    Featured image and gallery: Sub Khan Opening the night, Gabrielle eases the Co-op Live crowd into the spectacular night ahead. There’s no need for spectacle, her presence alone is enough with her deep vocals echoing around the arena. A performance rooted in control and feeling, each song reveals a different shade of her understated command. Operating…

  • Chalk @ Gorilla review – unrelenting and endlessly energetic

    Featured image and gallery: Sam Holmes Formed in Belfast in 2019, Chalk have already made a name for themselves. From support slots for Fontaines D.C., IDLES and Sprints, to taking to the stage at SXSW earlier this year, the band’s growth has been rapid and shows no signs of stopping. Touring their debut album Crystalpunk,…