Music, News, Review

Alien Chicks @ The Deaf Institute review – a whimsical delve into genre weaving 

0 327

Featured image: Press


It’s the day before Valentines, and soft red lighting illuminates the bleacher style seats in The Lodge of The Deaf Institute, bouncing off the seemingly out of place disco ball. Waiting for the show to kick in, it puts you in mind of an awkward Year 6 school disco.

A guy in a cap comes on stage to spray the room in haze, as three young lads step up to warm us up. DieKaiDie announce they’re from Rusholme, their unconventional setup giving them a mysterious edge. There are three guitars and a single kick pad accompanying their unapologetically abrasive cacophony. It’s Scott Pilgrim vs The World in the best possible way, and Paddy Murphy sings with incredible vigour.

As of yet, the only song released by the trio is ‘Swiss Army Knife’, a fantastically catchy song flicking between crunchy hyperpop and melodic punk. They’re hugely promising, a refreshing reminder that not all Fallowfield boys get Pioneer DJ decks. 

Enter Brixton trio, Alien Chicks, who stand front and centre, egging on their support. There’s no nonsense here. Beginning with ‘Frames’, it’s a mash of genres, flicking between heavy math rock, bossa nova and rap. 

The theatrics are simple but effective. You can’t look away. Joe (guitar/vocals) bounces between gibberish, screaming and melodies with fascinating vitality and range. They’re incredibly polished, to the extent that Martha loses a drumstick and immediately picks up another without missing a beat. They joke that their next song will be ‘Martha has an allergy to her drumsticks’. 

A lot of love has gone into this, each song practised and passionate. In this cosy setting, they’re out of place; Alien Chicks deserve a sea of moshers. No two tunes are the same. ‘Cowboy’ echoes the refrain “I was nervous”, taking us on a journey of anxiously paced riffs. 

Closing the show with their debut single ‘27 Stitches’, they weave the bossa nova influences into the hard rock. Exiting the stage, bassist Stefan whips out a suitcase full of merch. It’s incredibly down to earth and handmade. Each shirt has artwork from their singles, abstract yet slightly unsettling paintings. 

While the upcoming EP doesn’t yet have a release date, it’s worth staying tuned for. Alien Chicks offer a whimsical dive into genre weaving; a blistering and baffling show for a Tuesday night. 

About the author / 

Jess Berry

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • The enduring legacy of the debut album – aAh!’s favourite first records

    Featured image: American Football – American Football album artwork The debut album has long been treated as a baptism of fire for artists – the deciding factor that determines whether a band will ‘make it’ or not. Some debuts set the tone for what follows: Arctic Monkeys’ Whatever People Say I Am, That’s What I’m…

  • Jeff Goldblum & The Mildred Snitzer Orchestra @ Palace Theatre gallery – an evening of jazz, charm and charisma

    Featured image and gallery: Lucy Elson-Whittaker Jeff Goldblum & The Mildred Snitzer Orchestra come to the Palace Theatre in Manchester to celebrate the release of their new album, Night Blooms. Liverpool-based Brooke Combe opens the evening with a stripped-back set alongside her guitarist, her soulful vocals instantly captivating the crowd. Blending heartfelt performances with quick-witted…

  • Take That @ Etihad Stadium review – group ‘Shine’ in spectacular Manchester homecoming

    Featured image and gallery: Sally Stretch Three decades after they first emerged in Manchester, Take That return home to the Etihad Stadium and deliver an unforgettable show, combining circus theatrics and crowd-pleasing hits from across their catalogue. Formed in 1990, the group have released multiple chart-topping albums and embarked on numerous world tours, including 2009’s…