Koyo / Oscar Bryrant & The BlueBirds / Slow Loris / Blythe @ The Castle Hotel review
Featured image: Layla Caine Cowbells and proggy synthpop, anyone? With a stacked bill, the night…
Manchester Metropolitan University's official arts and culture student magazine
Jess Berry
Earth Prayers with Carol Ann Duffy and John Sampson @ HOME review – The sublime, apathy and wind instruments
Featured image: aAh! | Featured Illustrations: Meghan Millar As part of the annual Manchester Literature…
Budget-friendly spots to study and chill
Featured image: Sarah Beck You definitely don’t need to lock yourself on the second floor…
Broaden Your Nightlife Horizons: aAh! Magazine’s top picks for nights out
Featured image: Rebellion By the time Freshers Week is over, all you’ve been left with…
Freshers Recipe: Green Eggs & Shak
Featured image: Sarah Beck Directly translated from Maghrebi dialect to ‘all mixed up’, there’s really…
Flow4Equality: New social enterprise aims to combat period poverty and female isolation through community
Featured image: Flow4Equality Manchester Met student Hannah Smith is launching Flow4Equality, a new social enterprise…
Burlesque Gala Night @ Manchester Opera House review – future classic oozes with glamour
Featured image: Johan Persson Future-hit Burlesque The Musical dazzled Manchester with its world premiere this…
Far From Home Close To Love @ The Kings Arms review – Life affirming exploration of loneliness
Featured image: Benjamin Kelm Benjamin Kelm explores the highs and lows of migration in his…
An Officer And A Gentleman The Musical @ Manchester Opera House review – an 80s neon fever dream
Based on Douglas Day Stewarts’ hit 80s romance, An Officer and A Gentleman takes to the Manchester Opera House stage to transport us into a timeless story of love, courage and redemption. This Curve production is a neon sensation of retro hits and escapism.
Interview: Liverpool quartet Courting – hyper-pop theatrics from future icons
Liverpool-based quartet, Courting, are one of the most exciting new names on the scene. Merging hyper-pop with post-punk (and really anything else they feel like) provides limitless potential to their sound and following the release of second studio album, New Last Name. It seems there’s no stopping the outrageous theatrics of Courtings’ cinematic universe. We caught up with lead singer and creative director, Sean Murphy-O’Neill, to discuss the New Last Name record, tour, and more.