Film

REVIEW: Bohemian Rhapsody Is A Love Letter To Music

0 370

By Ben Thompson


On the day I saw ‘Bohemian Rhapsody’, it’d been exactly twenty seven years since Freddie Mercury had passed away. Dying at only 45 years old, Mercury left behind a legacy that is yet to be outdone. This film not only does his story justice, it is a perfect love letter to Queen and to music in general.

The film does not give a sanitised version of Mercury’s story. The audience see him at his lowest points, and we’re almost drawn to dislike him in those moments – but who could stay angry with Freddie Mercury?

These moments also make it all the more satisfying when we see him triumph. The Live Aid scene is an immersive cinematic masterpiece, positioning the audience as concert spectators, creating an overwhelming urge to tap your feet and sing along.

While fans of Queen will almost undoubtedly love this film, some creative liberties have been taken. The casual movie-goer may not pick up on some inaccuracies – Freddie Mercury didn’t know he had AIDs before Live Aid, for instance, as presented in the film – but some die-hard fans may be raising an eyebrow here and there.

This is not a documentary, however, and as a biopic, it is a triumph of its genre.

About the author / 

Ben Thompson

Modern History student. Mostly writes about politics and social issues.

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • Mexican Pets, Nobody's Working Title

    21 classic indie-rock songs you *almost definitely* haven’t heard before

    Featured image: Mexican Pets, Nobody’s Working Title – Blunt Records Pinning down a genre as sprawling as indie-rock is as futile as painting your living room with gravy instead of emulsion. However, we can at least set some boundaries. We can drill down through layers of subgenres and microgenres, but ultimately, a broad definition of…

  • From Brutalism to Tangk: The sonic evolution of IDLES

    Featured image: Sonic PR Ahead of their three-night residency at the Apollo in December, music journalist Leah Small takes a look at the evolution of IDLES across their five studio albums. With fists raised and a rambunctious energy like no other, self-proclaimed ‘angry’ ensemble IDLES burst forth from Bristol in 2009, possessing a raw and…