Humanity Hallows Issue 6 Out Now
Pick up your copy on campus or read online
By Hassan Irshad
From Rise, to Dawn, to War for the Planet of the Apes, Caesar’s journey from infancy, to progenitor of an uprising or ‘revolution’ of a sort, to a leader of a society engaged in a war, is complete.
War for the Planet of the Apes takes place two years after Dawn, and the Ape civilisation that we had a glimpse of is engaged in brutal internecine warfare with remaining human forces. The twist is, there are a handful of apes that had defected to the attacking human forces, having formerly given their loyalty to Koba, apparently providing them with an advantage against the apes in their knowledge of ape tactics. Events transpire, and as seen in the trailers, the apes are captured under the command of the ruthless antagonist, simply known as ‘The Colonel’ (Woody Harrelson).
However, perhaps his ruthlessness is understandable in the face of a new strain of the Simian Flu that rids afflicted humans of higher thinking and their speaking capability. The complexity of Harrelson’s character reflects the moral greyness of his motives, and gives surface to the question whether either side acting in the interests of their species and civilisation can be summed up as wholly ‘evil’. The Colonel, after all, is attempting to prevent what he predicts will be a ‘planet of apes’, in order to preserve what is left of mankind. Although, his use of the subjugated apes as slave labourers isn’t particularly redeeming.
Much like with Spider-Man: Homecoming, movies do a disservice to themselves when they reveal too much in their trailers. Dawn and War are two prime examples. I was almost certain that the mystery horse thief would be Bad Ape, because the scene of his conversation with Caesar, Maurice, Rocket and Luca was released beforehand. The opportunity to build suspense, then, was lost.
Aside from the plot, the visuals of film, like its predecessors, prove to be all the more spectacular; from the increasingly life-like animations of the apes, to the stunning scenery, the film does not betray its great expectations, and neither do its actors, whose acting skills are stretched to their highest limit during motion capture.
Featured image and gallery: Lucy Elson-Whittaker Sunday may signal the final day of Truck Festival 2026, but there’s still plenty to celebrate before the gates close for another year. From rising indie stars Keyside to the long-awaited return of Rizzle Kicks, festival favourites Circa Waves and headliners The Wombats, these are the performances that define…
Featured image and gallery: Lucy Elson-Whittaker It’s Saturday at Truck Festival 2026 and, somehow, the sunshine is still holding out. The weekend’s biggest day is packed with indie heavyweights as The Vaccines, Kaiser Chiefs and Two Door Cinema Club deliver the soundtrack to a generation. In between the nostalgia, Adult DVD provide the perfect excuse…
Featured image: Lucy Elson-Whittaker After CMAT’s unforgettable set on Thursday, you’d be forgiven for thinking that Truck Festival 2026 had already peaked. But with the weekend only just getting into its stride, there’s still plenty more to come. Friday is packed with a lot of artists worth catching, from The Love Buzz and My First…
Featured image: Press The gates have finally opened for Truck Festival 2026, and for the third-year running, the weather could not be more perfect. Beneath clear blue skies at Hill Farm, Oxfordshire, the iconic Ferris wheel is spinning once again, the Truck Monster is roaming the fields, and thousands of festival-goers waste no time filling…
Leave a reply