Humanity Hallows Issue 5 Out Now
Pick up your copy on campus or read online
By Daniel J Broadley
The first of three stories from Paul Auster’s postmodern The New York Trilogy, City of Glass has recently been adapted for the stage by 59 Productions. The world premier of the play was held at Manchester’s HOME this week.
City Of Glass follows crime writer Daniel Quinn as he receives a mysterious call from Peter Stillman Jr, asking for the private detective Paul Auster. Quinn takes the case and adopts the identity of Auster, which sends him down a path of fake and broken identities, as well as endless and seemingly useless clues. Thus the play mixes the fragmented language and madness of postmodernism with the classic noir detective genre.
What was most impressive in this performance were the special effects: projections and lightings of various settings seamlessly moved the audience through the landscape of New York City and, at times, into the mind of a man losing his grip on reality. The acting was superb and the fact there were two actors playing Daniel Quinn added to the idea that this is a character who does not know who he really is. As he said, “My name is Paul Auster, that is not my real name.”
Paul Austerís City of Glass. Performed at HOME Theatre. Adapted by Duncan Macmillan. A World premiere production from 59 Productions, HOME and Lyric Hammersmith. Cast: Vivienne Acheampong, Mark Edel-Hunt, Chris New, Jack Tarlton, Riley White, Lochlan White.
The highlight of the evening, however, was Jack Tarlton’s portrayal of both Peter Stillman Jr. and Snr, Tarlton successfully capturing Stillman Jr’s maddening monologue from the original novel and perfectly showing the demented madness of Stillman Snr. Hats off too to Mark Edel-Hunt and Chris New as Daniel Quinn and Vivienne Acheampong as Virginia Stillman and various other characters. The play also included a narrator that comes in various voices, further fueling the audience’s questions: who exactly are we following? Whose story is being told?
59 Production’s play is a brilliant adaptation of Paul Auster’s novella and fans of postmodernism and Auster’s work will love it. Anyone who has not read City of Glass, however, might want to familiarise themselves with the work to fully appreciate what is an excellent adaptation of one of the greatest examples of postmodern literature of the 20th century.
City of Glass is showing until Saturday 18th March. For more information and tickets, visit the HOME website.
Feature Image: Press “It’s important to find your people. Don’t feel like you have to find this incredible producer or person who’s going to give you loads of money and change your life” says Lauerence Tratalos, one-half of the Northern duo responsible for Misper; a feature debut for director Harry Sheriff and script writer Tratalos….
Featured image and gallery: Lucy Elson-Whittaker Fuel Café Bar in Withington hosts the fifth stop of six-piece band Ignoring Izzy’s ‘Motorway Musk’ tour, following the release of their debut single. The room buzzes with the promise of chaos, and possibly a few flying vegetables. Opening the night is Manchester-based Leucotome, a witch-folk trio blending soft,…
Featured image and gallery: Sub Khan Opening the night, Gabrielle eases the Co-op Live crowd into the spectacular night ahead. There’s no need for spectacle, her presence alone is enough with her deep vocals echoing around the arena. A performance rooted in control and feeling, each song reveals a different shade of her understated command. Operating…
Featured image and gallery: Sam Holmes Formed in Belfast in 2019, Chalk have already made a name for themselves. From support slots for Fontaines D.C., IDLES and Sprints, to taking to the stage at SXSW earlier this year, the band’s growth has been rapid and shows no signs of stopping. Touring their debut album Crystalpunk,…
Leave a reply