Entertainment, Film, Review

Review: Logan

0 103

Humanity Hallows Issue 6 Out Now
Pick up your copy on campus or read online


By Hassan Irshad


“I always know who you are, it’s just sometimes I don’t recognise you.” says an ailing Professor X to a wearied Logan, perhaps one of the harder hitting lines in the film.

The year is 2029, and for reasons initially unclear, Logan and Charles are the only remaining X-Men, though in lamentable circumstances. For followers of the X-Men film series, witnessing the notorious Wolverine struggling to maintain balance whilst fighting off a gang , and an emaciated Professor X spewing an amnesia-fuelled rant before having a seizure, might be heartbreaking. With Professor X’s role of mentoring Logan out of his nomad past in the first X-Men film being somewhat reversed, in that Logan takes responsibility in caring for his former teacher, the situation has certainly taken a drastic turn.

Unlike its predecessors, Logan is an ‘R-rated’ gritty and, at times, intensely violent tale – mostly thanks to the success of Deadpool – but it is accompanied by themes of love and family. Despite living in a bleak future for mutant-kind, Logan persists in his care for Professor X, and later on in the film, for X-23, otherwise known as Laura. Despite having lost almost everything and everyone they cared for, the pair find brief, but nonetheless, precious moments that affirm the value and importance of family, and relationships generally.

Of course, Logan is not entirely a tale of dreariness; there are moments of levity dotted throughout, as is customary for any X-Men film, offering much needed relief in the face of all of the above.

About the author / 

Humanity Hallows

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • Pendulum @ Victoria Warehouse review – Drum ‘n’ Bass in your face

    These Aussies may not have a lot of records to their name after 22 years together, but their mix of alternative and drum ‘n’ bass has made quite the impact. Seen in their collaborations with bands such as Bullet For My Valentine, remixing dance classics from The Prodigy and successfully capitalising on early 2010s dubstep in the form of their side project, Knife Party.

  • Yonaka @ Manchester Academy 2 review – Dark alt-pop trio pack a powerful punch

    Jarvis is a strong role model for younger and older women alike; she isn’t afraid to show her rage towards patriarchy and use her music to share how it negatively impacts her. She also isn’t afraid to speak on her mental health as she introduces ‘PANIC’, detailing the lived experience of having a panic disorder. ‘Welcome To My House’ is another self-admitted dive into the singer’s mind, she explains its about ‘Dealing with negative self-thoughts and then realising, no I am a good person.’. 

  • Mary in the Junkyard @ YES Basement review – rentle indie vs terrifying noisemongers

    Featured image: Steve Gullick An ominous belch marks the start of Ebbb’s set: “BUUUUUUUUUUUUUUUUUUUUUUUUUUUUURRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR.” The anonymous trio – good luck finding info about them – layer it up until the cacophony fuses into a Gregorian chant, albeit one harmonised by a chain of foghorns. It causes chunks of plaster to fall from the ceiling, dandruffing…

  • Pretty Woman @ The Palace Theatre – palm trees, leg warmers and curly perms

    Photography: The Palace Theatre Based on one of Hollywood’s most beloved rom coms, the travelling tour of Pretty Woman: The Musical has finally landed in The Palace Theatre in Manchester. Edward Lewis (Oliver Savile) enters the stage in a suit broadcasting his big-shot businessman credentials, as 1980s Hollywood comes to life with a flock of…