Ejiofor’s performance is powerful and moving, he utilises the freedom offered by McQueen’s trusting direction to play out the subtle emotions of Solomon to sensational effect. It is Solomon’s underlying strength of spirit that make this a genuinely compelling film. Even as Solomon is tested and his character is subsequently affected by his many trials, there remains his latent determination not to let it get the better of himself. Juxtaposed with sadistic antagonist Edwin Epps, a tyrannical slave owner played strikingly by Michael Fassbender, whose erratic and violent behaviour incites great fear. The scenes between Ejiofor and Fassbender prove to be the most gripping, making it easy to forget you are watching two actors rather than real people. The character of the victimised and childlike Patsey serves as a fantastic breakthrough role for the unknown Lupita Nyong’o. She plays Patsey well, with an innocence that acts as a shield to the growing threat of Edwin Epps, who views her as his prized possession. Like Solomon, audiences will feel a sympathetic desire to protect Patsey, a desire that is ultimately futile.
12 Years A Slave is able to elicit an emotional response without exploiting its content for dramatic purposes. This is aided by the complementary score of the masterful Hans Zimmer. One scene in particular which sees Paul Dano’s creepy and violent character rise into a murderous temper accompanied by an ascending throng of electrical guitars. The music consistently plays to the tone of scenes without overpowering them.Grace is a first year student of English and Creative Writing. She prefers films to real people and has often been referred to as a human incarnation of IMDB for her extensive cinematic knowledge. Grace also has her own film review blog and Tumblr.
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