Revisting ‘Withnail and I’
By Callum Willmott Ever since my first viewing, two moments have always struck me in Bruce Robinson’s Withnail & I; the first of these being the film’s opening. Set to the sounds of A Whiter Shade of Pale (covered here by King Curtis), the camera sluggishly zooms in on a downtrodden Paul McGann. The second,…


