Music

LIVE REVIEW: Jorja Smith @ Manchester Albert Hall

1 1063

By Joey Crutchley


The lights dim and for the first few minutes it’s just the band up on stage. A talented yet simple quartet of piano, bass, drums and guitar launch into the title track from the album, ‘Lost & Found’. After a lengthy introduction, the soul-singer herself, Jorja Smith, emerges on stage filled with elegance and charm. Dressed in a mink-coloured silk dress and white Air Max trainers, this Walsall-born songstress seems reserved, almost shy. “Why do we all fall down with innocence?” Jorja questions on the opening track as she sways across the stage like laundry in the wind. She is undeniably sultry as she waves to the crowd who listen intently.

The 21-year-old BRIT Award winner is welcomed with a roar of applause as the trickling piano notes from fan favourite ‘Teenage Fantasy’ fill the room. Her awareness of melody is clearly demonstrated as the packed-out venue roars the chorus back to her. With her style firmly set, she radiates a soulful similarity to Amy Winehouse, a major influence of Jorja’s. Her ability to switch up genres is completely evident within the 18 track set list, which ranges from violin arrangements with a melancholic ambience, to funky guitar flicks and strobe lighting piercing the venues walls.

A sea of mobile phones fill the room with lights while she performs the haunting ballad ‘Let Me Down’, her vocals stretching like an elastic band, soaring from an FKA Twigs-style falsetto to a rich and raspy Lauryn Hill-influenced alto. Flipping the tempo on the last track, ‘On My Mind’, the track starts with an acoustic guitar accompanied with Jorja’s smoky and honeyed vocals before evolving into a fully electronic dance party.

The show thrives on emotionally raw minimalism, with her voice being the central instrument. There are no elaborate stage props, no five minute dance intervals or outrageous costumes. Instead, just a girl on stage in a pair of Air Max trainers, dancing around in a world of her creation.

(Photo Credit: Academy Music Group)

About the author / 

Joey Crutchley

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • Manchester Writing School Summer Festival 2026: Celebrating creativity, community and new voices

    Featured image and gallery: Hoang Phan Notebooks were carried from one workshop to another. Writers from different generations sat around tables, sharing manuscripts and listening to each other. Outdoors, small groups strolled along Oxford Road, pausing before buildings steeped in literary history. This was the scene during the Manchester Writing School Summer Festival 2026, held…

  • Bloodstock 2026: Sunday review- 25 years of circle pits

    Featured image: Katja Ogrin With many sore heads and limbs this morning after the most hardcore day of the festival taking place yesterday, many are recovering from the moshing and pit brutality of the previous day’s antics. As the tradition of a morning movie in the Serpents Lair prevails, the crowd sprawls out onto the plush,…

  • Bloodstock 2026: Saturday review – Breaking the circle pit rule

    Featured image: Abbi Draper After an electrifying start to the weekend, with temperatures slowly climbing, many lather themselves in suncream, shed their band shirts and rise from their tents to trek towards the arena. Saturday has big things incoming for the humans of Bloodstock 2026. Some pace themselves for the day and hide from the early…

  • Bloodstock 2026: Friday review – Lamb of God reminds us ‘This is an Invitation’

    Featured image: Abbi Draper After a memorable Thursday opener, Bloodstock 2026 opens its gates once again onto the Hallowed Grounds of Catton Park, kicking off day two of its 25th-anniversary celebration of metal. As the sun rises on Catton Park, festivalgoers emerge from their tents to prepare for another day of mayhem. The morning brings…