Humanity Hallows Issue 6 Out Now
Pick up your copy on campus or read online
By Hassan Irshad
From Rise, to Dawn, to War for the Planet of the Apes, Caesar’s journey from infancy, to progenitor of an uprising or ‘revolution’ of a sort, to a leader of a society engaged in a war, is complete.
War for the Planet of the Apes takes place two years after Dawn, and the Ape civilisation that we had a glimpse of is engaged in brutal internecine warfare with remaining human forces. The twist is, there are a handful of apes that had defected to the attacking human forces, having formerly given their loyalty to Koba, apparently providing them with an advantage against the apes in their knowledge of ape tactics. Events transpire, and as seen in the trailers, the apes are captured under the command of the ruthless antagonist, simply known as ‘The Colonel’ (Woody Harrelson).
However, perhaps his ruthlessness is understandable in the face of a new strain of the Simian Flu that rids afflicted humans of higher thinking and their speaking capability. The complexity of Harrelson’s character reflects the moral greyness of his motives, and gives surface to the question whether either side acting in the interests of their species and civilisation can be summed up as wholly ‘evil’. The Colonel, after all, is attempting to prevent what he predicts will be a ‘planet of apes’, in order to preserve what is left of mankind. Although, his use of the subjugated apes as slave labourers isn’t particularly redeeming.
Much like with Spider-Man: Homecoming, movies do a disservice to themselves when they reveal too much in their trailers. Dawn and War are two prime examples. I was almost certain that the mystery horse thief would be Bad Ape, because the scene of his conversation with Caesar, Maurice, Rocket and Luca was released beforehand. The opportunity to build suspense, then, was lost.
Aside from the plot, the visuals of film, like its predecessors, prove to be all the more spectacular; from the increasingly life-like animations of the apes, to the stunning scenery, the film does not betray its great expectations, and neither do its actors, whose acting skills are stretched to their highest limit during motion capture.
Featured image and gallery: Hoang Phan Notebooks were carried from one workshop to another. Writers from different generations sat around tables, sharing manuscripts and listening to each other. Outdoors, small groups strolled along Oxford Road, pausing before buildings steeped in literary history. This was the scene during the Manchester Writing School Summer Festival 2026, held…
Featured image: Katja Ogrin With many sore heads and limbs this morning after the most hardcore day of the festival taking place yesterday, many are recovering from the moshing and pit brutality of the previous day’s antics. As the tradition of a morning movie in the Serpents Lair prevails, the crowd sprawls out onto the plush,…
Featured image: Abbi Draper After an electrifying start to the weekend, with temperatures slowly climbing, many lather themselves in suncream, shed their band shirts and rise from their tents to trek towards the arena. Saturday has big things incoming for the humans of Bloodstock 2026. Some pace themselves for the day and hide from the early…
Featured image: Abbi Draper After a memorable Thursday opener, Bloodstock 2026 opens its gates once again onto the Hallowed Grounds of Catton Park, kicking off day two of its 25th-anniversary celebration of metal. As the sun rises on Catton Park, festivalgoers emerge from their tents to prepare for another day of mayhem. The morning brings…
Leave a reply