Music, News, Review

South Arcade @ Deaf Institute review – Frenzied rock show from exciting up-and-comers

0 1415

Featured image and gallery: Gracie Hall


The evening kicks off with an indie-rock set from Jaxn, singing songs about girls and past relationships. Backed by a talented band including guitarist Aidan, drummer Max and bassist Joey, Jaxn’s musical layers create an interesting sonic experience. The audience is even treated to an unreleased song ‘Cressandra’, about his therapist who he started to develop feelings for.

Beren Olivia is up next; she explains that while her songs are usually filled with bass and drums, tonight is unplugged – just Beren and her guitarist. ‘Stranger on Fire’ is fast-paced, detailing a whirlwind romance with a stranger who’s no good, though the stripped-back performance doesn’t allow for the audience to feel the song’s full power. 

The set slows and Beren sits down to perform latest single ‘Almost’, the emotional lyrics conveyed perfectly through this acoustic rendition. For her final song, she walks into the crowd to serenade with ‘Read My Mind’, mixed with a little of the 1975’s ‘Robbers’.

South Arcade kick off their set, amping up the energy with ‘Silverlight’, showcasing lead singer Harmony Cavelle’s vocals. Like Avril Lavigne crossed with Christine Aguilera, Cavelle has a confident stage presence and the vocal power to back it up, fronting the Oxford-based band with Cody Leigh on drums, Harry Winks on guitar and Ollie Green on bass. 

It’s a set packed with new material (‘Nepo Baby’), older tunes (‘Bigger Than Anything Ever’) and even unreleased songs (‘At the Lights’, ‘Worth It’). Covers of Katy Perry’s ‘I Kissed A Girl’ and Avril Lavigne’s ‘Sk8ter Boi’ demonstrate the clear influence that alt-pop has had on the band’s sound.

Winks and Green jump around the stage with a sprightly energy while drummer Cody rocks out behind Harmony, injecting every song with a catchy drumbeat. Delighted fans rock out with the quartet as they storm through the evening, ending on 2023 single ‘Sound of An Empty Room’. The title couldn’t be further from the truth, the crowd screaming back every lyric before erupting into cheers.


About the author / 

Gracie Hall

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • Bloodstock 2026: Saturday review – Breaking the circle pit rule

    Featured image: Abbi Draper After an electrifying start to the weekend, with temperatures slowly climbing, many lather themselves in suncream, shed their band shirts and rise from their tents to trek towards the arena. Saturday has big things incoming for the humans of Bloodstock 2026. Some pace themselves for the day and hide from the early…

  • Bloodstock 2026: Friday review – Lamb of God reminds us ‘This is an Invitation’

    Featured image: Abbi Draper After a memorable Thursday opener, Bloodstock 2026 opens its gates once again onto the Hallowed Grounds of Catton Park, kicking off day two of its 25th-anniversary celebration of metal. As the sun rises on Catton Park, festivalgoers emerge from their tents to prepare for another day of mayhem. The morning brings…

  • Bloodstock 2026: Thursday review – Headbanging, legendary sets and dinosaurs

    Featured image: Steve Dempsey Bloodstock returned to Derby for its 25th anniversary this year, welcoming thousands of metal fans for an extended four-day celebration of the festival legacy and its place in the metal community. With a packed bill spanning a broad range of metal sub-genres, this is what Thursday had to offer. As the…

  • Truck Festival 2026: Sunday review – A fitting finale to an unforgettable weekend

    Featured image and gallery: Lucy Elson-Whittaker Sunday may signal the final day of Truck Festival 2026, but there’s still plenty to celebrate before the gates close for another year. From rising indie stars Keyside to the long-awaited return of Rizzle Kicks, festival favourites Circa Waves and headliners The Wombats, these are the performances that define…