From Alex Turner’s inebriated drawl, to Kurt Cobain’s explosive freak-outs on stage, the art of the fronting a band is an ever-changing spectacle. Each generation puts a new spin on the classic ‘rock n roll’ star. Here are six of the best lead vocalists of 2024.
Amy Taylor (Amyl and the Sniffers)
Short, snappy and headache inducing, much like their namesake, Aussie quartet Amyl and the Sniffers have taken the punk world by storm. Fronting the band is Amy Taylor, dedicated to bringing the 1970s punk front person persona into the modern arena, is, in one word, ‘unapologetic’. Her stage performance ranges from frenzied head banging and crowd surfing, to costume changes leaving her scantily clad on stage. However, Taylor is more than just her screeching vocals. Unafraid to broach issues of politics and misogyny, she speaks candidly on sexual assault at her shows, imploring her audiences to ‘call it out’.
Hayley Williams (Paramore)
2007 sensation Paramore is certainly not new to the music world. However, opening this year for Taylor Swift, 17 years since they shot to popularity, their live shows stay as fresh and exciting as ever. Their success is undeniably due to their only constant band member, eclectic front woman, Hayley Williams. Channelling Stefani-like moves on stage, she mixes popstar with rockstar. Her startlingly powerful voice is reminiscent of a young Avril Lavigne. Williams commands the stage, using every inch to connect with every fan, dancing manically and referring to her enthralled fans as her ‘family’.
Joe Talbot (IDLES)
Citing influences from Thom Yorke to Joy Division, it’s no surprise that Joe Talbot’s performance is unique and gritty. Combining political polarisation, with a sense of belonging and camaraderie, Talbot controls IDLES’ undulating crowds like a ringmaster. He provokes frenzied moshing, yelling: “Are you ready to collide?” Yet in the next breath: ‘Are you ready to look after each other?” Talbot expects rebellion, passion, and brotherhood from his crowds, for which they are all eager to provide. He is rarely still during shows. A two-hour runtime and crowd surfing, political chants, and spitting make up just some of his performance, leaving audiences rapt, and perhaps scared for what’s to come.
Grian Chatten (Fontaines DC)
Proclaimed as ‘this generation’s most important Irish rock band’, Grian Chatten leads Fontaines DC with a raw ferocity, penetrating crowds with his intensity and poignant lyricism. Propelling post-punk into the mainstream, Chatten performs with an Elliot Smith-esque subtlety choosing to rarely speak onstage, and singing with an almost monotonous drone. He allows his lyrics concerning stagnancy, generational trauma, and identity to take centre stage. This is not to say his performance lacks energy. Concerned with constant transformation and reinvention Chatten varies both his song writing style and image, allowing the band to take new creative directions. Seen in a kilt and eyeliner at one show, and a green bomber jacket at the next, he strives for new directions sonically, stylistically, and musically.
Nick Cave (Bad Seeds)
Like Hayley Williams, Nick Cave is a veteran of the industry, with his first solo single released in 1984. Thirty years later, he continues to tour with the Bad Seeds. Cave has undergone huge changes, both personally and musically, since the genesis of his career, encompassing alternative, goth, punk, and experimental rock. Another underpinning theme of his music is loss and yearning. Partially due to the loss of two of his sons, Cave’s performance and musical style has changed drastically. Yet what resonates with crowds more than singing of personal loss? You could say he does it for himself, singing and performing exactly as he sees fit. On stage, Cave converses with individual crowd members; cursing, fist pumping and reaching out to his audience creating an extremely moving performance.
Abigail Morris (The Last Dinner Party)
In their short-lived career thus far, The Last Dinner Party have already amassed a cult-like following amongst young women and the LGBTQ+ community. Combining sophisticated musicianship with spectacular showmanship, they are one of the most exciting bands of 2024. Fronting the band is classically-trained Abigail Morris, her sound suggesting influences from Florence and the Machine, and Kate Bush. Covering themes of romance and femininity, Morris captures the heart of her audiences, with a sense of intimacy cultivated by her emotive and passionate vocals. Vulnerable, yet punk, theatrical, and rehearsed, Morris is one to watch in the coming years.
While this list contains very different acts, the thread running through all of them is an ability to connect with the masses, adapt, and put on a gripping performance. The idea of a lead vocalist is ever changing, and this list is just a few of those putting their own unique takes on the role.
By Sumayyah MussaFeatured image: Joelle Taylor Award-winning poet and activist Joelle Taylor will take centre stage at Manchester Metropolitan University on Friday, as part of the 16 Days of Activism Against Gender-Based Violence campaign. Taylor will deliver a reading from their latest book, The Night Alphabet, a searing exploration of violence, trauma and identity that draws…
By Amy Leeks and Anna TorranceFeatured image: Lorna-Elizabeth Manchester Metropolitan University’s 16 Days of Activism Against Gender-Based Violence campaign continued with a late-night writing session led by award-winning poet and senior lecturer, Kim Moore. The session provided a space for participants to harness poetry as a tool for resistance, transformation and healing as Moore introduced…
Featured image and gallery: Molly Goble Manchester Metropolitan University’s 16 Days of Activism Against Gender Based Violence festival continued with a passionate reading from award-winning choreopoet and researcher, Safiya Kamaria Kinshasa. Day five of the 16-day series saw Kinshasa bring her unique fusion of dance and poetry to campus, delivering an emotional tribute to the…
By Anna Torrance and Sumayyah Mussa Manchester Metropolitan University’s 16-Days of Activism Against Gender-Based Violence Festival continued with a powerful discussion surrounding the harmful language and ideologies perpetuated by incels. Led by author and lecturer Dr Frazer Heritage and poet Caroline Stancer, the thought-provoking discussion brought to light how the harmful rhetoric of incels seeps…
Leave a reply