Humanity Hallows Issue 5 Out Now
Pick up your copy on campus or read online
By Pierangelly del Rio
The 2017 SICK! Festival brought a performance of Fractured Memory to Manchester’s HOME last week. The play explores the questions surrounding how we deal with a complex inherited history and is a combination of video projections, text extracts and storytelling. It re-imagines the American novelist James Baldwin’s Princes and Powers, an essay which describes the Congress of Afro-intellectuals, writers, artists, philosophers and theorists held at the Sorbonne in Paris in 1956.
Fractured Memory is written by and stars Ogutu Muraya, a Kenyan writer, theatre-maker and storyteller. Muraya is currently the Creative Director of the Theatre Company of Kenya and has produced works such as Are We Here Yet?, Four Strings in a Maze, and What Are the Odds? Like his previous works, Fractured Memory explores and examines the cultural, social and political issues within Kenya.
The play opens with a projection of a man cutting paper strings full of sentences, separating them into individual words, followed by a silent narrator who promises to tell many stories. This sets the tone of the play, which becomes a set of disjointed narratives and shifting perspectives throughout multiple years.
During the 60 minute performance, the audience explores the legacy of the Congress at the Sorbonne, learns about the socialist party of Kenya (KPU) and its eventual ban by the government, as well as childhood memories marked by violence and the distress caused by the social climate in the country. The topics of politics, race, colonisation and violence weigh heavily throughout the play, portrayed in a disjointed spectacle which plays with the boundaries between visual and oral narrative.
Despite the unconventional nature of Fractured Memory and the simplicity of the performance, its real value is transmitted by powerful images and Muraya’s voice. The audience finds themselves submerged in the diverse stories and captured by every word of the diverse narrations. The poetic language evidences Muraya’s talent as a story teller and serves as a tool to transmit the realities of a culture that might be unknown for some.
As James Baldwin himself said, “The great force of history comes from the fact that we carry it within us, are unconsciously controlled by it in many ways, and history is literally present in all that we do… And it is with great pain and terror that one begins to assess the history that has placed one where one is, and formed one’s point of view.”
For more information about upcoming theatre events at HOME, visit the website.
Featured image and gallery: Sub Khan It’s no surprise that Rainbow Kitten Surprise have made a name for themselves in recent years, their genre-merging approach and deeply introspective lyrics piquing the curiosity of thousands. Formed in 2013, the band have long surpassed their humble roots of playing their dorm rooms in North Carolina. From establishing…
Featured image: Ella Venn and Nicola Cutts Manchester’s Open Fly talk new music, performance mishaps and men. Bassist Lily Rose believes that women have better things to say than men when it comes to song lyrics, especially in the world of indie bands. She says this with a sheepish smile as her bandmate and frontwoman…
Featured image: Nicola Cutts & Olivia Taberner Watching a movie, scrolling through social media and playing video games can be fun, but sometimes, you just want to slow down and disconnect from a screen. Where better to begin than with a magazine that you’re holding? Here are five analogue hobbies that will kick off a…
Featured image: Aura Album artwork Kyle Alessandro’s journey these last few years has been nothing short of impressive. Previous album, Evig & Alltid, recorded in Norwegian and released in 2023, had a more conventional pop sound but latest record Aura swerves this and sees Alessandro go searching for a different sound altogether. With Aura, there is…
Leave a reply