News

“We are suffocating in an information overload” – Stuart Mills

0 379

Humanity Hallows Issue 6 Out Now
Pick up your copy on campus or read online


By Stuart Mills


In the song, ‘Suffocation’ by the band Against Me! there is the line, “Suffocation, Modern life in the Western world. I suspect 21st century world is more accurate, but I also acknowledge that maybe that’s implied by the word modern.

In recent weeks, as talk of Brexit has been building, the actual act of giving notice completed and a snap election announced, I have felt myself becoming disengaged with the issue, a feeling I hypothesise is not uncommon. The reason for this I think is quite simple; information bombardment. Though, even that is a misnomer.

In the film Anchorman 2 (a film I do not recommend, mostly because it’s shit), Ron Burgundy, relegated to the graveyard slot on a new 24-hour news channel, begins to report on the ‘emerging’ story of a police chase. The humour is two-fold, firstly in how it clearly is meant to mock modern daytime cable news, but secondly in how the ominous narrator explains how this absurd character and scenario was the origin of modern news today.

What Burgundy does in this scene is genius, and really, it’s fundamentally opposed to the modus operandi of a news station; he exploits the unknown. Now, from a viewer perspective, we watch the news because we are ignorant of the day’s events, and the news anchors can inform us of the information we are missing. Burgundy, in this scene, flips this paradigm on its head by saying the news organisation themselves are ignorant of all the facts. Suddenly this becomes exciting, and engaging, and problematic.

It’s problematic because information only flows so fast, and doesn’t flow at all when there is nothing to know. In the modern 24-hour news cycle, there’s a lot of moments when there’s nothing to know. The solution to this problem is the aforementioned, ‘information bombardment’, and perhaps now you can see why it’s a misnomer; there’s no information to be bombarded with. Instead, the time is filled with analysis, and cross analysis and predictions and historical perspectives and counter perspectives and info-graphics and timelines and so on and so on, until something happens. All the while we, the viewer, sit there in a whirlwind of confusion and frustration and, to an extent, hysteria as we come to realise nothing, absolutely nothing, is being said.

In some ways, it’s just a supply and demand problem – there’s so much demand (air time) but so little supply (relevant news).

As an aside, if I were to suggest a reason for the rise in ‘fake news’ and clickbait, I would suggest it is from a desire to capitalise on this vacuous information environment, but that’s another discussion for another day.

This problem isn’t just a 24-hour news problem. Anywhere that we have access to information faster than that information can be provided this problem festers. Your phone and your computer are as much at fault as the 24-hour news channels. I suggest if you’ve ever felt yourself with a deep feeling of depression and self-loathing from a continuous pressing of that refresh button, this might be the reason. I know I have.

This is what I mean when I quote ‘Suffocation’; we are suffocating in an information overload. Of course, this is maybe another misnomer – we’re actually drowning. The term ‘information diet’ is one I’m hearing more often and it’s taken the form of something hip and cool, but I do think there is a darker side to it, namely escaping the depression and self-loathing of information addiction. Cutting yourself off to make a change is one thing; cutting yourself off because you need to is quite another.

Here, then, we find the real problem emerging out of it all. The feeling of wanting to escape the info-sphere, to switch everything off, to go on an ‘information diet’ – this is the realm of disengagement. Sometimes we need to disengage our brains and do something different – it can be very liberating, spiritually and intellectually – but some issues are too important for us to willingly, and with exhaustion, disengage from.

I cited Brexit previously. This is a massive issue for my country right now. Trump if you are American, Le Pen if you are French, and countless other things I am – ironically – ignorant of; these are all important issues we, as citizens, need to be engaged in. In these past few weeks, I have wanted to disengage, to stop reading articles and listening to commentary and talking to colleagues, but I’ve desperately tried not to. Most of what I read and hear I consider meaningless, copious noise, but I still listen.

Sometimes it’s good to get away from it all – especially if you feel like you’re drowning – but sometimes you’ve got to suck it up (pardon the pun) and try to keep going.

 

About the author / 

Humanity Hallows

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • Pendulum @ Victoria Warehouse review – Drum ‘n’ Bass in your face

    These Aussies may not have a lot of records to their name after 22 years together, but their mix of alternative and drum ‘n’ bass has made quite the impact. Seen in their collaborations with bands such as Bullet For My Valentine, remixing dance classics from The Prodigy and successfully capitalising on early 2010s dubstep in the form of their side project, Knife Party.

  • Yonaka @ Manchester Academy 2 review – Dark alt-pop trio pack a powerful punch

    Jarvis is a strong role model for younger and older women alike; she isn’t afraid to show her rage towards patriarchy and use her music to share how it negatively impacts her. She also isn’t afraid to speak on her mental health as she introduces ‘PANIC’, detailing the lived experience of having a panic disorder. ‘Welcome To My House’ is another self-admitted dive into the singer’s mind, she explains its about ‘Dealing with negative self-thoughts and then realising, no I am a good person.’. 

  • Pretty Woman @ The Palace Theatre – palm trees, leg warmers and curly perms

    Photography: The Palace Theatre Based on one of Hollywood’s most beloved rom coms, the travelling tour of Pretty Woman: The Musical has finally landed in The Palace Theatre in Manchester. Edward Lewis (Oliver Savile) enters the stage in a suit broadcasting his big-shot businessman credentials, as 1980s Hollywood comes to life with a flock of…