Entertainment, News

Review: Morrissey, ‘Autobiography’

0 287
Miserable, moody and Mancunian are the words that spring to mind upon hearing Morrissey’s name. A British icon and an inspirational figure in music, the Manchester man’s new autobiography hit the shelves in October last year and much controversy has followed. This was partly due to the book’s name, which follows the trend of attempts at charming and egotistical autobiography titles such as Russell Brand’s My Booky Wook  Morrissey simply names his: Autobiography.

Having summed up the Manchester vibe in previous work – ‘I would go out tonight but I haven’t got a stitch to wear’ – Morrissey’s northern realism started a revolution of similarly straight-to-the-point music. Many popular bands, such as Oasis, followed in The Smiths’ Mancunian footsteps all the way to the end of Oxford Road. Will his autobiography live up to its rather minimalistic name?

Rather like the name of his former band, The Smiths, the title Autobiography suggests an egotistical self-assurance that is certainly present. Reflecting on The Smiths’ name, Morrissey writes: “Neither of us can come up with anything else. It strikes me that the Smiths name lacks any settled association on face value, yet could also suit a presentation of virtually any style of music”. It seems his title is as bleak as his description of Manchester life. Or was it just that he couldn’t think of anything else?

Having been identified as a Manchester Man, Morrissey’s autobiography gives the impression that it really is grim up north as he discusses the “slums of Moss Side and Hulme”. Needless to say, his book isn’t a laugh a minute as even his childhood photos are coupled with miserable captions: “Jackie and I, 1966, wondering how we can possibly leave the world better than we found it”. The book opens with the line: “my childhood is streets upon streets upon streets” and I start hoping this book won’t be complaint upon complaint upon complaint! But as I read on, I realise that Manchester is not the natural habitat of our so-called Manchester man who was so eager for the escape The Smiths brought. And at times I wonder, was it because of the weather?

The autobiography itself has been a subject of much discussion recently due to its publication by Penguin Classics. Influential though he might be, many people have been asking if the publishing company usually reserved for the works of Homer, Virgil and great literary writers such as Jane Austen, was really appropriate for the first publication of a rock star’s anecdotes. This stimulated much discussion as to who deemed it a classic in the first place, and as if you couldn’t have guessed, it was Morrissey himself who said in a Radio 4 programme in 2011, “I’d like it to go to Penguin but only if they published it as a Classic”.

However, Morrissey portrays his bitter enthusiasm for politics, the environment and his escape from Manchester in an eloquent manner showing his literary side. In some ways, this makes the book closer to a Classic than simply a collection of the boastings of a celebrity. It is well worth picking up on a rainy day, and if we’re being realistic ourselves, we have lots of those in Manchester!

Lucy Simpson is a prospective journalist who is passionate about reading, writing and eating chocolate. You can read more of her work on her blog

About the author / 

aAh!

aAh! Magazine is Manchester Metropolitan University's arts and culture magazine.

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • Manchester Writing School Summer Festival 2026: Celebrating creativity, community and new voices

    Featured image and gallery: Hoang Phan Notebooks were carried from one workshop to another. Writers from different generations sat around tables, sharing manuscripts and listening to each other. Outdoors, small groups strolled along Oxford Road, pausing before buildings steeped in literary history. This was the scene during the Manchester Writing School Summer Festival 2026, held…

  • Bloodstock 2026: Sunday review- 25 years of circle pits

    Featured image: Katja Ogrin With many sore heads and limbs this morning after the most hardcore day of the festival taking place yesterday, many are recovering from the moshing and pit brutality of the previous day’s antics. As the tradition of a morning movie in the Serpents Lair prevails, the crowd sprawls out onto the plush,…

  • Bloodstock 2026: Saturday review – Breaking the circle pit rule

    Featured image: Abbi Draper After an electrifying start to the weekend, with temperatures slowly climbing, many lather themselves in suncream, shed their band shirts and rise from their tents to trek towards the arena. Saturday has big things incoming for the humans of Bloodstock 2026. Some pace themselves for the day and hide from the early…

  • Bloodstock 2026: Friday review – Lamb of God reminds us ‘This is an Invitation’

    Featured image: Abbi Draper After a memorable Thursday opener, Bloodstock 2026 opens its gates once again onto the Hallowed Grounds of Catton Park, kicking off day two of its 25th-anniversary celebration of metal. As the sun rises on Catton Park, festivalgoers emerge from their tents to prepare for another day of mayhem. The morning brings…