Entertainment, Review

Edinburgh International Film Festival 2016: Grimm Street

0 177

By Zoe Turner

Siri Rodnes’ surreal exploration of a child’s struggle with her deteriorating health is a playful and touching short film. Its viewer follows the girl, as she escapes from her condition into a world of make-believe.

During these fantasies of hers, the girl follows a big bad wolf type character who she is determined to one day defeat. These episodes of the girl’s imagination are delivered surprisingly well for rising talent with a lower budget, with carefully timed sound effects and lighting to create a mood of suspense. Her mother leaves her to keep inventing, whilst she goes to hospital to talk to someone about developments in her daughter’s treatment.

While her mother is away, the girl encounters her neighbour, a young man who is hiding from his father and chooses to slip through the window of her house. His visit sparks a friendship which revolves around clothing; the boy comments on the girl’s “gorgeous” dress, and he starts trying on her mother’s clothes for himself. This is assumed by the audience to be the reason the boy has been chased out of his own home, and so the film starts to reveal itself as a representation of young minorities.

When her mother returns with a wheelchair, the girl is distraught due to the seeming demoralisation. It is after this trigger that the girl finally braves the wolf in her imagination, chasing it until she reaches an imitation of her own bedroom. Through the window of this bedroom, she can see her real one, her mother sitting where she would usually sit, seemingly mourning her daughter.

Just as the viewer takes this to be an upsetting loss for the girl against the big, bad wolf, her illness, the scene switches to the girl recovering in a hospital bed, her mother reading back her own stories to her. We immediately experience a rush of relief and warmth, as we are reminded of the strength any young person battling against a perceived weakness carries inside them.

While the film might lack an entirely effective script, the cast work well with what they have been given, and the story is certainly an inventive interpretation of an individual’s unique issues that are all to be acknowledged.

About the author / 

Humanity Hallows

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • Opinion: “We need to leave colourless living in 2025”

    Every December, celebrities flood social media with snapshots of their Christmas celebrations – and their decorations. This year, stars including Victoria Beckham shared images of pared-back, aesthetic trees and minimal décor. While undeniably elegant, these displays hardly embody the spirit of Christmas – appearing stripped of colour, character and warmth. The festive season no longer…

  • Louder Than Words Festival 2025: “Music and literature go hand-in-hand”

    Featured image: Anna Torrance Blending music and literature in a whirlwind of a weekend of talks, performances and discussion, Louder Than Words Festival returns to Manchester for 2025, bringing together musicians, writers and photographers from around the UK. Set within the intimate chambers of the INNSiDE Hotel, the festival offers a packed programme of acoustic…

  • The REAL Issue: Print call for submissions – Get involved with your student magazine

    aAh! Magazine invites all Manchester Met students with a passion for journalism, writing, design, illustration, and photography to pitch ideas for our upcoming print issue: The REAL Issue. This issue will explore what realness means today, especially for young people and students navigating a world dominated by digital life, social media and AI. What does authenticity…