Entertainment, Review

Edinburgh International Film Festival 2016: Grimm Street

0 127

By Zoe Turner

Siri Rodnes’ surreal exploration of a child’s struggle with her deteriorating health is a playful and touching short film. Its viewer follows the girl, as she escapes from her condition into a world of make-believe.

During these fantasies of hers, the girl follows a big bad wolf type character who she is determined to one day defeat. These episodes of the girl’s imagination are delivered surprisingly well for rising talent with a lower budget, with carefully timed sound effects and lighting to create a mood of suspense. Her mother leaves her to keep inventing, whilst she goes to hospital to talk to someone about developments in her daughter’s treatment.

While her mother is away, the girl encounters her neighbour, a young man who is hiding from his father and chooses to slip through the window of her house. His visit sparks a friendship which revolves around clothing; the boy comments on the girl’s “gorgeous” dress, and he starts trying on her mother’s clothes for himself. This is assumed by the audience to be the reason the boy has been chased out of his own home, and so the film starts to reveal itself as a representation of young minorities.

When her mother returns with a wheelchair, the girl is distraught due to the seeming demoralisation. It is after this trigger that the girl finally braves the wolf in her imagination, chasing it until she reaches an imitation of her own bedroom. Through the window of this bedroom, she can see her real one, her mother sitting where she would usually sit, seemingly mourning her daughter.

Just as the viewer takes this to be an upsetting loss for the girl against the big, bad wolf, her illness, the scene switches to the girl recovering in a hospital bed, her mother reading back her own stories to her. We immediately experience a rush of relief and warmth, as we are reminded of the strength any young person battling against a perceived weakness carries inside them.

While the film might lack an entirely effective script, the cast work well with what they have been given, and the story is certainly an inventive interpretation of an individual’s unique issues that are all to be acknowledged.

About the author / 

Humanity Hallows

Leave a reply

Your email address will not be published. Required fields are marked *

More News Stories:

  • Manchester Metropolitan University student wins top music photography award

    Featured image: Alison Hall Future Media Production student Gracie Hall takes home top music photography award A Manchester Metropolitan University student has claimed a top national photography award, winning the Photographer of the Year title in the music category at the London Camera Exchange 2025. Gracie Hall, a BA Future Media Production student, impressed judges with her…

  • World Book Day: Manchester’s best literary hangout spots

    Featured image: Edward Firman There is no better combination than a good book and a hot cup of coffee; it’s the ultimate feeling of cosiness no matter the season. However, there’s something comforting about rainy days in Manchester, when the skies are gloomy and you stumble upon an independent bookstore. Over the years, bookstores have…

  • GoGlobal Week: Jason Allen-Paisant and Monique Roffey on plants, place and choosing tenderness

    Featured image and gallery: Eden-Hopkins Fermo Manchester Met’s GoGlobal Week initiative continued on Wednesday with an event featuring award-winning poet Jason Allen-Paisant and acclaimed writer and Contemporary Fiction Professor Monique Roffey. Launching his first non-fiction book, The Possibility of Tenderness, Allen-Paisant and Roffey explored the themes of his memoir, dissecting his personal history and the…