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Album review: Seagoth – How to Stay Wide Awake
Featured image: Seagoth “This album is dedicated to all of the people who can’t take a day…
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Featured image: Seagoth “This album is dedicated to all of the people who can’t take a day…
As members of BTS embark on their military services, South Korean singer and songwriter Golden Maknae Jungkook…

It’s been just over one month since the Oscars marked the end of another awards season. Musical performances from all the artists nominated for this year’s ‘Best Original Song’ were interspersed throughout the show, including a moment of virality from a pink-clad Ryan Gosling and his vanguard of 65 Kens. From original scores to compilation soundtracks, 2023 saw the true matrimony of sound and vision. Here are a few of the highlights.

Featured image: Jennifer Grace UK-based music magazine DIY introduced their Now & Next Tour last year. Spanning…

This promises to be an audacious affair. From supporting the likes of My Chemical Romance, Bring Me the Horizon and Sum 41, to recently gracing the front cover of Kerrang, Essex-born Cassyette has been making her punchy presence known amongst the alternative crowd for a while now.

Featured image and gallery: Gracie Hall Cxloe, real name Chloe Papandrea, opens the evening with a stunning…

Featured images and gallery: Gracie Hall Crimson Veil opens the evening with a dark, enchanting performance on…

Featured image and gallery: Ben Redshaw The Hives perform to a sold-out crowd at Manchester Academy, as…

21-year-old Southampton native Caity Baser makes an explosive entrance as she breaks through a massive paper sheet adorned with a red learner driver’s L, a reference to her latest mixtape, Still Learning. She smashes through this with a baseball bat before opening with hit song ‘I’m A Problem’.

LA native Thundercat has garnered quite the reputation. On top of being a Grammy award-winning solo artist, he has proven to be a reliable collaborator to an eclectic mix of artists from Kendrick Lamar and more recently, Tame Impala, integrating an intoxicating mix of R&B and funk in the process. In the midst of a UK and European tour, it’s safe to say his reputation precedes him.

Liverpool-based quartet, Courting, are one of the most exciting new names on the scene. Merging hyper-pop with post-punk (and really anything else they feel like) provides limitless potential to their sound and following the release of second studio album, New Last Name. It seems there’s no stopping the outrageous theatrics of Courtings’ cinematic universe. We caught up with lead singer and creative director, Sean Murphy-O’Neill, to discuss the New Last Name record, tour, and more.

In truth, Taking Back Sunday could dine out on their irreproachable first three albums until the sun swallows the earth, even if it takes a handful of usually bankable tunes to hit their stride tonight. Lazzara, a chimera of class clown, giddy labradoodle and Butlins redcoat, pirouettes, hip-shakes and skates around the stage between flawless mic catches. However, syrupy hair-metal ballad, ‘Amphetamine Smiles’, in which he straps on an acoustic guitar for the only time during the evening, springs the bar staff into action.

These Aussies may not have a lot of records to their name after 22 years together, but their mix of alternative and drum 'n' bass has made quite the impact. Seen in their collaborations with bands such as Bullet For My Valentine, remixing dance classics from The Prodigy and successfully capitalising on early 2010s dubstep in the form of their side project, Knife Party.

Jarvis is a strong role model for younger and older women alike; she isn’t afraid to show her rage towards patriarchy and use her music to share how it negatively impacts her. She also isn’t afraid to speak on her mental health as she introduces ‘PANIC’, detailing the lived experience of having a panic disorder. ‘Welcome To My House’ is another self-admitted dive into the singer's mind, she explains its about ‘Dealing with negative self-thoughts and then realising, no I am a good person.’.

An ominous belch marks the start of Ebbb’s set: "BUUUUUUUUUUUUUUUUUUUUUUUUUUUUURRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR.”